POETRY

K. Asare-Bediako

                    CREDITS: OSWALDO GUAYASAMIN


 

 SHRAPNEL IN A TOWN

For the dead to come back to life,

a new war must broke to splint a bullet

on my body 

and ransack a brothel town into 

the cranium of the wind,

leaving notes of lost debris on every door.


It is not so long after we harness bones.


The violence is not gone and forgotten after

my brother visited with a 

bullet stuck on his back. 

The maligning atmosphere after a troop

converted the floor into

a weary magma

that melted the foot of the knight god.


First, it was a pretence under a heavy moment

of rain when mother 

could only fill the tanks with blood,

it was under the pretence of old 

calendars with grey

walls telecasting the women on weary screens who are dangling

their beads towards 

the odwegyi festival.


Before this moment, my half brother only knows how to slaughter

the fur from a hen. 

Peeping through our worn window,

he sees his fellow boys practicing mortal

combat with their 

father's cutlasses. 

Even before this moment, 

I usually retire myself at the playground

whenever there's

no scuffle between two 

interracial siblings—a routine, peacefully

before justice wakes up from the dead.


For the dead to come back to life, 

justice must die for another crime of war.


Lately, the rain does not fall as before.


I did a little supplication under my pillow,

these engraving ones are martyrs

that hum for a freetown.


My fingers shriek like ghosts.

I reminisce a piece to crane

the heavens

and I bow under the beetles of a god—sunshine.


A shrapnel falls on my neck. 

History is a benign resurgence

so I manage to transcend their unfulfilled

wish into a theory for the future.





                 MO(U)RNING

That which we usually greet

Under a baobab shade—a routine 

Look into the well dug in our eyes.

Like a string, we pull together to

Gather consolations, a hunter

Whispers tenderly—strength-

Aging word. Butterflies swim. 

Dirges split ways. A heaven is

Mourning. Heaven is morning.

Beneath the pillow that houses 

Our grief, beneath the women's

Yard that knifes a soft heart to

Flame. To be perish, we rather

Garner the clouds of manifold,

Soldiers, match unto a bitter end.

God, here lies a spectacle, 

Another fading existence. This,

We never asked to persist.

This ritual must be another

Routine of the past.




                                              

Asare Albert Kweku writing as K. Asare-Bediako, is an up and coming Ghanaian writer, teacher, coach, poet, philanthropist and a legal aspirant. He chose writing as a therapy to aid him breath away thoughts of his invisible father. He is a diverse writer of colour and mostly centres his works within the crannies of the African continent, with works published/ forthcoming in both local and international magazines. He is the author of the microchapbook, Portrait of Many Colours (Ghost City Press). He is either singing or learning song, sleeping and watching TV when he gets away from writing.

He tweets, @Asarewrites

Instagram, @asarewrites







 

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